about

Steven Brown is a Sound Designer, Sound Artist and Soundscape Composer. He is best known for his work as a sound designer for theatre, having worked globally with many leading theatre companies, directors and also as Head of Sound for The Royal Exchange Theatre Company, Manchester , UK.

Steven was Sound Design Curator for the 2011 Prague Quadrennial and designed and curated the sound design section of Collaborators: Design for Performance exhibition at the Victoria & Albert Museum, London. In 2007 he lead all the Sound Design projects for the Scenofest section of the Prague Quadrennial.

His current roles include, Head of The Sound Design Working Group for Organisation Internationale des Scénographes, Techniciens et Architectes de Théâtre (OISTAT), member of the organising team for World Stage Design 2013, Head of Sound for The Royal Exchange Theatre Company and Steven is also an elected Board Member for the Association of Sound Designers.

Steven was recently awarded an Honorary Fellowship from Rose Bruford College of Theatre and Performance.

As Listen Hear Sound Projects he explores sound art, sound design, soundscape composition, phonography and audio ecology through many commissions and projects whilst working both as a collaborator and in his own right. He has collaborated with Steam Control ('Why Won't You Tell Me?' - National Film Theatre/ Sassoon Gallery) and was commissioned by Dody Nash (Listening Shell installation - Victoria & Albert Museum ), his work has been heard at the Sonar Festival, Barcelona, and in galleries across Europe. He recently collaborated on a work entitled 'Urban Soundscapes' for International Radiophonic Creation Day which was broadcast worldwide.

In recent years he has presented his work, ideas and promoted the work of Sound Designers at many Universities, Institutions and Conferences across Europe and the USA including, Yale and Purdue Universities, the United States Institute of Theatre Technology at conferences, in Toronto, Louisville, Houston, and Charlotte, The Institute of Design, Prague, The Theatre Academy, Helsinki, Liverpool Institute of Performing Arts, Rose Bruford College, Edge Hill University, Liverpool, Vereniging voor Podiumtechnologie (VPT) in The Netherlands and PLASA UK.

Steven is currently exploring and investigating new ways of making theatre as part of collaborative project with fellow sound and multidisciplinary practitioners in the USA and Europe.

Contact

stevenbrown[at]listenhear.co.uk
+44(0)7778 052650

Representation

Theatre Sound Design Representation & Enquiries
Karen Baker
Associated Arts
t. +44(0)20 8856 4958
e. karen@associated-arts.co.uk
w. associated arts

Selected Press

"Mark Jonathan's lighting and Steve Brown's sound add a fresh dimension." Entertainment Manchester, The Miser

"…the sound by Steve Brown complemented the overall effect of the production, without being overpowering." www.routledge.com, Antigone

"…Steve Brown's thrilling sound effects also drum the horrors into your psyche." Whatsonstage.com, Henry V

"The first thing you notice about this revival of Githa Sowerby's 1912 play is Steve Brown's superb design. It begins with an eerie, high-pitched singing, like a wet fingertip run around the rim of a wineglass, followed by a deep rasping, reminiscent of breath across the neck of a bottle. Finally, there's the tinkling shiver of glass smashed into fragments. It is intriguingly menacing."Sam Marlow, The Times, Rutherford & Son

"……..whilst Steve Brown's evocative sound design chills to the bone." Whatsonstage.com, Rutherford & Son

"Bare though the space is, the production is not without atmosphere…a dark, creepy soundscape created by Steve Brown. It evokes the unfathomable marshes, the surreal world of Satis House and the "mind music" of Pip's great expectations." Lynne Walker, The Independent, Great Expectations

"Sound is employed superbly to heighten the tension and to the depict the rural backdrop." Marianne Britton Manchester on Stage Knives in Hens

"..the stormy soundscape that has been hurrying us to our seats erupts with magnificent force.." Lynne Walker, The Independent, Twelfth Night

"..and it sounds wonderful – unexpected, mysterious, joyous, sometimes all three simultaneously.." Lyn Gardner, The Guardian, A Midsummer Nights Dream

"Steve Brown's sound design is to marvel at and brings the entire hall outside of the auditorium into the production in the most innovative way." Neil Eckersley, Manchester on Stage, Les Blancs

"..Brown is a perfectionist….his attention to detail and his understanding of the directorial styles within the [Royal Exchange] theatre resulted in a number of innovations." Andy Hayles, Theatre Projects Consultants, Lighting and Sound International

"..Steve Brown's superb sound effects.." Natalie Angelsey, The Stage and Television Today, Cafe Vesuvio
(c) 1996-2012 Steven Brown listen hear sound projects